The metaverse has been used as a means of cultural preservation in the past. Now, the legacy music festival Woodstock is using digital reality to preserve its legacy and reinvent its future.
The metaverse is becoming a destination for more brands, companies and communities to connect. A study from December 2022 revealed that 69% of users believe metaverse entertainment will reshape social life.
Recently, the legacy music and arts festival, Woodstock, known for being the most famous of the 1960s rock festivals, announced that it would reinvent itself as a digital world in collaboration with metaverse developers Sequin AR.
Festivals in the metaverse are not a new thing. As digital life has been becoming more prominent over the years, we’ve seen virtual Pride parades, cultural events specific to countries and metaverse fashion week.
With Woodstock building its own virtual space, a physical festival’s immense legacy is being preserved and reinvented for new generations. Cointelegraph spoke with the Woodstock team and Robert DeFranco, the CEO of Sequin AR, to understand how legacy events navigate a digital rebirth.
Jennifer Roberts, a partner at Woodstock Ventures, recalled how the original festival in 1969 “defied so many expectations” as it brought together half a million people around peace, music and art. Now the metaverse allows for a truly global audience to experience the festivals’ legacy.
“We think that today’s Woodstock Generation isn’t united by when they were born but by a shared value system of peace, creativity and compassion. ”
Roberts called the metaverse a “democratizing experience” where, despite physical circumstances, people can come together to celebrate what they believe in.
Connectivity is a big motivator for brands and companies to enter the metaverse. With over 90% of consumers curious about the metaverse, the opportunities to create connections on a global scale are only increasing.
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However, just as in real life, throwing an iconic festival for thousands of people is a big task with many considerations.
DeFranco said the goal of such initiatives is not to replace but complement what is available in physical reality and the legacy of an event.
“There’s nothing like being at a live show. The intent is to have a community to engage in and an experience you enjoy when you can’t be at a live show.”
Roberts said when preparing to create this digital complement, anticipating new needs for artists, audiences and even music genres is a new challenge. She also said leaving room for serendipity in the process is not to be overlooked.
“The magic of the original festival was something that resulted from the alchemy of bringing different elements together. We have faith that will happen here too, albeit in ways we can’t predict.”
From indie artists to iconic pop stars, the music industry has been very active in adopting Web3 technologies.
Major labels, like Warner Music, have been particularly active in bringing performances into digital reality, announcing its own music-centered Web3 platform created with Polygon.
Roberts said, however, when it comes to legacy it’s not just about keeping the past alive but looking toward the future.
“It’s not about enshrining the past, but rather a way to involve new audiences and write the next chapters of history.”
Over the next seven years, the metaverse is expected to create a market valuation of $5 trillion, according to recent reports.
